Wed Sept. 14, 2022
20:30

Ensemble Nist-Nah (F/AUS/GB)

Will Guthrie, Prune Becheau, Charles Dubois, Thibault Florent, Colline Grosjean, Amelie Grould, Mark Lockett, Sven Michel, Lucas Pizzini, Arno Tukiman: gamelan, percussion, drums

We start the live stream approx. 1/2 hour before the concert begins (real time, no longer available after the end of the concert). By clicking on "Go to livestream" a window will open where you can watch the concert free of charge and without any registration. However, we kindly ask you to support this project via "Pay as you wish". Thank you & welcome to the real & virtual club!

Ensemble Nist-Nah is the new Gamelan / percussion ensemble led by Nantes-based Australian drummer and percussionist Will Guthrie. Nist-Nah finds Guthrie branching out in a new direction, using the metallaphones, hand drums and gongs of the Gamelan ensembles of Indonesia alongside drum kit, other percussions, classic, found and junk. The music presented is grounded in Guthrie’s travels in Indonesia and study of various forms of Gamelan music, from the stately suspended temporality of the courtly Javanese Gamelan Sekatan, to the delirious, thuggish repetition that accompanies the Javanese trance ritual Jathilan, to the shimmering acoustic glitch of contemporary Balinese composer Dewa Alit and his Gamelan Salukat.

Far from an exercise in exoticism, Nist-Nah develops out of Guthrie’s extensive work with metal percussion in recent years (as heard, for example, on his 2015 LP for iDEAL, Sacrée Obsession), where gongs, singing bowls and cymbals are used to build up walls of hovering tones and sizzling details. Though Guthrie is broadening his palette to explore Gamelan instrumentation and pay tribute to his love of this sophisticated yet elemental percussion music.

Bringing together 9 of France’s finest, Nist-Nah hosts a wealth of experience and expertise, with it’s members coming from eclectic and mixed backgrounds, from traditional musicians, contemporary percussionists, to noise and free jazz fanatics, presenting a music equally informed by Guthrie’s interests in free jazz, electro-acoustic music and diverse experimental music practices, exploring long tones, extended techniques, and non-metered pulse.

This project was made possible by a commission from La Soufflerie, Rezé, France.

Production by Studio D’En Haut.