Billy Cobham: drums
Christian Galvez: bass
Steve Hamilton: keyboards
Camelia Ben Naceur: keyboards
Carl Orr: guitar
Ever since his breakthrough in the early 1970s-as a founding member of the Mahavishnu Orchestra, and as a drummer/leader whose recordings (such as Spectrum) and powerful, complex style of play exerted a strong influence on the course of jazz and jazz-fusion-Billy Cobham has remained a tireless musical explorer.
Panamanian by birth, a New Yorker by upbringing, and a resident of Switzerland for more than 25 years, Cobham has pursued an ever-broadening, ever-deepening engagement with the world not only as a master drummer and percussionist but as a composer, producer, educator, and clinician who gives service through music even as he constantly expands his personal creative expression.
In 1969 Cobham co-founded the fusion group Dreams, which also featured Randy Brecker, Michael Brecker, John Abercrombie, Don Grolnick, Barry Rodgers, and Will Lee. The following year he was invited to join Miles Davis’s group and contributed to four pivotal recordings by the trumpeter, including Bitches Brew (where he collaborated with guitarist John McLaughlin) and Tribute to Jack Johnson.
Mahavishnu Orchestra was formed by McLaughlin in 1971 with Cobham, Jan Hammer, Jerry Goodman, and Rick Laird. They released three acclaimed albums (beginning with Inner Mounting Flame) before the band was dissolved and Cobham chose to launch his solo career with Spectrum, one of the definitive albums of the jazz-rock era.
During the 1970s and ’80s, he recorded steadily as a leader in collaborating with artists ranging from George Duke, John Scofield, and Tony Williams to Jack Bruce and the Grateful Dead, both on stage and in the studio.
In ’93 Cobham performed, recorded, and produced at the WOMAD Festival (World of Music, Arts and Dance) with Peter Gabriel, Nigeria’s Okuta Percussion, and Farafina from Burkina Faso.
By the start of the 2000s Cobham had introduced “The Art of Jazz” series, recording and touring extensively first with the Art of 3 (Kenny Barron, Ron Carter), then the Art of 4 (Carter, Donald Harrison, James Williams) and the Art of 5 (Harrison, Guy Barker, Eric Reed or Julian Joseph, Orlando Le Fleming). He also worked with Culture Mix, recording two albums with them and in 2003 reactivated Spectrum as a band that revisits the music of that genre-reinventing album.
Of late, Billy had working on a series of recordings that are a tribute to his parents and his roots. The project is call “Fruit From The Loom”. The first CD, of the same name, was released in 2009. The second CD – “Palindrome” was released in 2010. In 2013 was released the third recording entitled “Tales From The Skeleton Coast”.